WMA
Images: Perspectives
Editorial Design, Book Design, Book Concept185 × 260mm
264 pages + a 32-page leporello cover
wma.hk
Editors
Dorothy Cheung
Elaine Lin
Contributors
Elaine Lin
Shoair Mavlian
Creative Direction
So Lai Ping
Art Direction
Hsu Wai Lun
Copy-editor
Jacqueline Liu
Design
Hsu Wai Lun
So Lai Ping
Print Production
Allion Printing Co. Ltd.
Research and Input by WMA Team
Luna Chan
Kyle Chau
Chloe Chow
Frank Lam
Elaine Lin
Claudia Lung
Tse Lam Hei
Dorothy Cheung
Elaine Lin
Contributors
Elaine Lin
Shoair Mavlian
Creative Direction
So Lai Ping
Art Direction
Hsu Wai Lun
Copy-editor
Jacqueline Liu
Design
Hsu Wai Lun
So Lai Ping
Print Production
Allion Printing Co. Ltd.
Research and Input by WMA Team
Luna Chan
Kyle Chau
Chloe Chow
Frank Lam
Elaine Lin
Claudia Lung
Tse Lam Hei
WMA
Images: Perspectives
Published in March 2024
ISBN: 978 988 78766 2 5
ISBN: 978 988 78766 2 5
Images : Perspectives is a time capsule of WMA's journeys over the last decade.
The camera obscura was employed as the conceptual framework for this retrospective visual journey. Both independent chapters and a cohesive narrative timeline were created by structuring the publication as 11 singer-sewn books, which are connected by a nearly 3-meter-long leporello binding. This format allows readers the flexibility to explore the book chronologically or to focus on specific periods.
Using the camera obscura as a central metaphor, the design is reflective of how images connect with the external world. Conceptual illustrations were created for each chapter, which reinterpret early camera obscura devices. A cut-off aperture was also incorporated on the cover, establishing a connection between historical imaging principles and contemporary practices.
The camera obscura was employed as the conceptual framework for this retrospective visual journey. Both independent chapters and a cohesive narrative timeline were created by structuring the publication as 11 singer-sewn books, which are connected by a nearly 3-meter-long leporello binding. This format allows readers the flexibility to explore the book chronologically or to focus on specific periods.
Using the camera obscura as a central metaphor, the design is reflective of how images connect with the external world. Conceptual illustrations were created for each chapter, which reinterpret early camera obscura devices. A cut-off aperture was also incorporated on the cover, establishing a connection between historical imaging principles and contemporary practices.
↑ full video of the project